Label: Probe Plus Format: CD And they’re back. Nigel Blackwell‘s lads are here to give anyone, and anything, they think worthy a damn good kicking. And they’ll do it catchily too, and with some great jokes. Quite some expectation, and opener “Restless Legs”, while funny, seems remarkable targetless. After this breezy opening, though, we get one of the two most acerbic tracks on the album, “CORGI Registered Friends”, […]
Reviews by Freq
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Label: Skull Disco Format: 12″ The debut release from the Skull Disco label, this double A side 12″ shows there’s lots of promise lurking between the drumming and dancing skeletons which are sure to become a sought after signature design characteristic of the label. Neither track references dub as a chilled out dope-nodding groove, instead distancing the bass and drum sounds, such as they are, from the body […]
The Spitz, London 18th July 2005 A balmy, dirty London night finds me climbing the spiral at The Spitz to see Morning Bride solely for this review, or souly for my own pleasure. There is no way that humans can survive long in this heat, or so I imagine. It’s raining outside, a slow tease rain that isn’t going to refresh so much as make sure my fellow […]
ULU, London 26 May 2005 Okay, here’s the usual disclaimer. I’m not going to be objective. In the slightest. Michael Gira‘s been a hero of mine for many years now, and this was the first time I got to see him live. So forgive me if I don’t give it the whole fair and balanced thing in the following review. You’ve got to hand it to Akron/Family. Considering they […]
Label: Ad Noiseam Format: 12″ Forsaking his love of distended gabba-ragga-breakcore noise for something not entirely unrelated, Jason Kohnen has applied his carefully-crafted breaks and furious percussive cut-up skills to grindcore metal – and what a rushing mashup the result is too. Big riffs meet monster bass and hyperspeed rhythms, twisting an already evil-sounding form into new shapes of enthusiastically demented chaos. Track titles like “Bloody Cenotaph” hint […]
Label: Planet Mu Format: 2×10″ (Vol. IV only), CD Updating the sound of Drum’n’Bass as he’s been rinsing it out since the early days, Bizzy B‘s Science EP Vols. III and IV CD doesn’t so much re-invent Junglist mania as restate it with extra oomph. There are no obvious surges into Grimey territory or cheap nods to Garage, but plenty of fun to be had from Bizzy B’s […]
– Does The Cosmic Shepherd Dream Of Electric Tapirs? Label: Space Age Format: CD – The Penultimate Glactic Bordello Also The World You Made Label: Dirter Promotions Format: 4CD With a band as prolific and expansive as the Acid Mothers Temple, it’s somewhat difficult to select a “typical” release to settle on, and perhaps (perhaps not) Does The Cosmic Shepherd Dream Of Electric Tapirs? is as good as […]
The Forum, London 9 October 2004 Having reincarnated with a new touring band as PTV3, Genesis P-Orridge returned to the London stage five years after his triumphant – if ultimately unsatisfying – Royal Festival Hall cocking of snooks and other no doubt pierced appendages (how does one pierce a cocked snook, exactly?) at the ravenous tabloids which had hounded him into Californian exile. Where that show had failed […]
Label: CTI Format: CD Based on Cosey Fanni Tutti‘s inital live Selflessness action at Disneyland in California in May 2002, EAR Four aims to transmit her feelings of disorientation and being placed apart from of time the resort engendered. Remixed mainly from recordings made on site and and then broadcast precisely one year later on Resonance FM in London, the CD has had four minutes of unaltered environmental […]
The Forum, London 19 July 2004 It’s a point that’s already been made, I’m sure, but there’s at least something to be said for the otherwise abhorrent War Against Terror. Just look, or rather listen, to what’s going on. As well as the politicisation of once-apathetic masses, the already-politicised but seldom heard of Industrial Rock giants are all coming out to the barricades to chuck stuff. See the […]
LA2, London 8 July 2004 Digital Hardcore’s new signing, Panic DHH, seem to be the hot new thing on the Industrial circuit. Having managed to miss them thus far other than hearing their truly awesome album Panic Drives Human Herds, I had little idea what to expect. Would they be able to replicate the grinding “Skinny Puppy meets Ministry and they have a fight”sound of the studio? Would […]
London 16 May 2004 Twenty-three years, man. Twenty-three (of course) years since (when I was way too small to appreciate this shit) the colossal monster of sound known as Throbbing Gristle last stomped its way through a live venue. The mission was terminated? Or was it? Cut to NOW.
London 11 May 2004 Since leaving Thee Headcoatees, Holly Golightly has been carving her own idiosyncratic niche in Garage Blues, lo-fi R&B in a retro Punk vein. Eschewing the vagaries of digital technology for the immediacy of vintage Vox amplifiers, Hofner guitars and a voice turned to honkytonk leather by bourbon and bar room smoke. Bearing all this in mind it is perhaps surprising to find Holly playing […]
The Astoria, London 18 April 2004 First up, Pink Grease. I’ve been holding off on reviewing these buggers until I could manage the supreme effort of will that is not being so drunk while watching them that I couldn’t tell whether they were wonderful, or really shit. Happily, I can tell you it’s the former, although they are very, very silly indeed. They look fantastic, like they’re out […]
Label: Staubgold/Klangbad format: CD It would be difficult to predict the outcome of a collaboration between two such disparate musical outfits as these. I mean Hip-Hop and Krautrock, or whatever category Faust‘s music falls into these days, don’t suggest themselves immediately as likely partners. Or perhaps that’s just my perception. Whatever preconceptions I may have had the resultant recording has blown them away, this really is a natural […]
The Garage, London 9 April 2004 It’s good to know Thrash is alive and well and kicking up a stir, and tonight The Garage is graced with a queue down the street and eventually with a venue full of The Kids, Heavy Metal or otherwise, almost visibly churning with excitement at the prospect of a night of speedy percussion and throaty vocals. Ephel Duath provide more of the […]
The Forum, London 3 April 2004 If one thing in life is true, it that people get older, bands get mellower – the noise and sound and fury of an Industrial youth flows into a neatly-tailored sartorial elegance and a penchant for slower numbers. Or so it is with Einstürzende Neubauten; perhaps it was always there, as such things happen with people as with music. A friend recently […]
Liverpool Philharmonic Hall 27 March 2004 Described as a ‘brilliantly conceived concert’ by The New York Times this promised an evening of aural and visual assaults from across a century. It almost seemed too much to squeeze into one performance but, with the exception of the interval, all video/visual material ran concurrent with the music. Any revisiting of music which has been considered outside the mainstream by audiences […]