If 2025 wasn’t quite busy enough for Amelia Fletcher and Rob Pursey’s Skep Wax label -- in widening its scope via a slew of new signings and extra global connections -- then 2026 looks set to just keep on building upwards and outwards, with some pretty epic touring schedules and a flux of new releases already in the calendar well into the spring.
review features
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Both a revolving door group and a single-minded mission, Matt Pond PA were officially inaugurated eponymically in Philadelphia way back in 1998, with the debut Deer Apartments LP. Since this beginning, the off-to-one-side enterprise has been adroitly steered by self-described ‘dignified drifter’ Matt Pond through innumerable membership configurations, label deals, modes of operations and sonic shifts across prolific releases of various shapes and sizes.
There is undoubtedly no productivity crisis in the broad spheres of nouveau shoegaze and DIY electronica, with complementary manoeuvres and convergence playing out between them to boot. This is certainly apparent in sifting through another review pile on the verge of toppling over, replete with a lot of familiar suspects from some reliable sources.
“Hey hey, my my, indie-pop can never die,” as Neil Young didn’t quite sing. From the boom years during the 1980s and into the 1990s, through a lower-profile but still fecund 2000s to 2010s and into the ongoing revival of the 2020s, the combination of independent-mindedness and a deep-seated love of melody, has sustained a cross-generational thread. The following three releases – one archival and two brand new – convincingly confirm this somewhat comforting sense of continuity and survivalism, whilst also capturing the internal diversity of it all.
Once more on to the fertile fields of the DIY electronica scene we go, cutting a path to search for the most interesting of musical crops that grow and regenerate at exponential rates…
Precious Recordings pushes things even further with a back-to-back payload of early-summer releases. Featuring newbies and returnees delivering wares with a variety of provenances, here follows a breakdown of what the label now has vying for our shelf space.
...it's a cracking year. There's a lot of trance. There's a dearth of too-slow cack. I think all the proper tropes of this century are in place. English is slipping from the position as language of choice for much of Europe, which doubtless reflects a belief in a new internationalism; or if nothing else, reflects the dogged incapacity of Europeans to imagine a world beyond liberal paralysis. It's got silly, it's got sad, it's got belters, it's got goths. It's the most wonderful time of the year. Happy gay Christmas, one and all.
So I've been doing these wee previews for a while and there's always a faint sense, tickling in my head, that the Eurovision a person sees in Eurovision week isn't necessarily the whole of the thing. Because of course most countries have qualifying competitions. [...] Buoyed by this, I thought I'd go whole hog this year and see what the other competitions had to offer.
Thanks to the more benevolent side of technological advances, recordings of a roaming and domestic provenance are no longer restricted to four-track strummers or those with the resources of rock royalty. Which, means there not many real limits upon those with advanced levels of imagination and ingenuity. As evidenced by the below divergent sonic dispersals.
Dipping just a toe into the DIY electronica streams these days still requires some weighty waders to avoid being soaked by the volume of material. Hence, another amalgamated approach is needed to fish for some of the most notable new wares.
The never-ending flexibility of folk-framed idioms is undoubtedly one of the music world’s undervalued gifts, with there being near-infinite creative power in the union of pastoralism and open-minded songcraft, as the following four full-length releases contest.
Visiting the international DIY electronica scene market these days never leaves pre-disposed listeners with a shortage of produce to choose from. However, with so many common core ingredients in abundance – such as vintage modular kit flavourings and conceptual protein – zooming in on those seemingly most able to refine their recipes, is a means to limit overstocking the synth pantry shelves. Enter then, four relatively divergent but loosely familial platters for a tasting session.
Boris have been ploughing a wide and varied furrow through the field of guitar-based music for more than quarter of a century. Dave Pettit has taken on the task of listening to all of their studio albums - here is part one of a series of reports as to what he found within them.
The internet is a weird and wonderful place. The music industry is also a weird and wonderful place. So when these two worlds collide, strange and beautiful things happen. For many years, bands would play their way through dingy little clubs and venues until they could get signed, recorded and sent on local, then international tours. This is still an ever-present phenomenon, but the world wide web has […]
Newhaven Fort, East Sussex 22 September 2018 Ahhh, that relentless rain! After a blazing summer it’s great to get back to some genuine English weather, isn’t it? And boy, it rained all day, meaning a lot of the improv parade ground goodness at Fort Process‘s 2018 edition got secreted away, upping the happen-upon expectation to rise that bit higher.
It’s May, so it means that it’s time for Kev Nickells to get the Eurovision ball a-rolling with the annual round-up of what’s grot and what’s not. Gay Christmas comes around so quickly and by the spirit of Judy Garland we are once again blessed with another bumper bonanza of Eurojoy this year.
It’s the time of year in Europe when days grow longer, spring blossoms multiply andthe Eurovision Song Contest heaves into view; which also entails Kev Nickells going through each and every entry with a vengeance.
Benedict Taylor: dashing young blade of the London (and beyond) free improv scene. He’s a busy man and a fine player and in possession of a veritable encyclopaedia of techniques. The scratchy ones, the frittery ones, the ones that sound a bit like a helicopter in the distance. But not showy, in case you’re worried that it’s going to sound like a viola lesson.