Label: CEE Format: CD Caste collects together five years’ worth of guitar-based noise sculpture from Colin Bradley and Julian Coope, both once involved with the intriguingly angular Spleen. Their work as Dual is densely textured, layering spluttering gushes of string-wrenched gasps into feedback drones the like of which haven’t been properly explored in this guise since Main went further into the digital relams of CD-R mixing and live laptop processing. That Isolationist sense of marking the outer reaches of possibility […]
Reviews by Freq
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The Spitz, London 24th July 2000 First off, any further mention of the fact that Dry & Heavy are a Japanese Reggae band can largely be dispensed with; so they are Japanese, not Jamaican. Well, there are Reggae and Dub groups from all over now – the Czech Republic, the Basque Country, Texas even. Other than to say of course that this particular set have got the format […]
Label: Sonig Format: LP Recorded live by Markus Popp and Jan Werner, Improvisors takes their studio-bound sampoling, glitching, cutting and skipping CDs into an edgier space. As ever, the estranged whirr of motor-driven sound put in its place and then removed again makes for distracted listening. Sometimes it even becomes uncomfortably ripped from the context of linear sound. They push it into one shape, and it comes out another. The stutter of effects and source […]
Label: Universal Egg Format: CD Zion Train affiliates The Tassilli Players have always offered up intriguing themed Dub CDs, from their debut Great Sporting Moments in Dub via their guide to Outer Space to the interactively-designed Wonderful World Of Weed In Dub (this latter wasn’t a CD-ROM in that interactive sense – each track was designed with different varieties of weed in mind for the listener to consume […]
Label: Wavetrap Format: CD From the opening storm-warning of drones ahead, Iron fulfils all the promises its churning digital riffology and humorous dedication to “Heavy Metal fans all over the world” could possibly fulfil. Staccato loops click and swarm from one ear to the next, and possibly invite the application of a third. Deliciously dirty splutters and organic wafts of processed feedback or sample residue distract from the […]
June 2000 People Like Us is Vicki Bennett, a resident of Brighton on the South coast of England and creator of extraordinarily witty cut-up film and music projects which take the cultural critique of Plunderphonics into new dimensions of layered reference and dissociated signifiers. As with like minded spirits such as Manchester’s Stock, Hausen & Walkman, Californian pioneers Negativland and cod-orchestral Sythetizers The Tape-Beatles, People Like Us recordings […]
David Pajo; Robin Guthrie; Pole; Labradford Queen Elizabeth Hall South Bank Centre, London 24th June 2000 This year’s Festival of Drifting sees each participant playing all in one night as a national tour, as opposed to the previous two years when performances were spread out over the course of 4-6 days at various venues. Labradford‘s idea is to bring together an artist-led festival featuring performers from the softer […]
Label: DiN Format: CD A buried thud and muffled melody curve out from this unexpected source of sounds. Collaborations are infinitely fascinating – well, they can be – and yet relatively few happen. Are we really so victim to the village mentality as all that? The headlights of the automobiles along the highways are conjured – passing sounds garbled and warbled as they drive, drive, drive…and how difficult is it […]
Queen Elizabeth Hall South Bank Centre, London 13th June 2000 The South Bank Centre seemed to be all on with their rules of protocol as I watched David Thomas from a tiny vertical glass in the big imposing closed door or the Queen Elizabeth Hall. I was a little late and the steward decided not to send me and the long line of other late-comers in to take […]
Label: 13th Moon Format: CD Mr. & Mrs. Fiend sure know how to evolve. First listen to this go ’round of Nocturnal Emissions admittedly made me wonder why they bothered with a pared down version of their sound. Production is nice, artwork is good, and there are the bonus tracks which is a quick mix or two of “Evolution” (the “Hup 2-3-4” mix, the “Back From The Dread […]
The Astoria, London 4th June 2000 Even just standing waiting for Neubauten to arrive on stage for this Twentieth Anniversary tour (!) is something of an enjoyable experience, thanks to the wilfully obtuse nature of some of the instrumentation and sundry kit arrayed on the platform. So ignoring the usual guitars, basses and keyboards (even if it is renamed an EN[soniq] through judicious appliaction of gaffer tape), there’s […]
South Bank Centre, London 27-29th May 2000 Now semi-permanently established at the South Bank for the past few years, the LMC Experimental Music Festival has become one of the fixtures of the London Improv and New Music scene, struggling through into something approaching mainstream cultural acceptance – though that’s a relative position of course. This isn’t to say that its become particularly watered down, blanded out or easily […]
After The Deluge 29th May 2000 Jean-Hervé Péron is best known as the former de facto front man for Faust, a group he sometimes seemed to embody the group’s chaotic lunacy for in his onstage antics with chainsaws and naked painting sessions. Following his traumatic personal split with the band after their early Nineties re-emergence, Péron spends his time raising horses and children on his small farm near […]
May 2000 As impassioned and animated offstage as behind his massive drumkit, Charles Hayward radiates a genuine intensity. He first came to wide attention as drummer with the highly influential This Heat as the embers of Post-Punk simmered off into wilder experimental tangents. He has released a dozen solo and colaborative albums, and puts on rare solo live shows which pull the raw muscular percussion at the heart […]
Label: Pagoda Format: CD Having hung out with the Reinforced Records crew, as well as The Future Sound Of London in North-west London while cutting his teeth on the sampler, it’s no surprise that The Rise (AKA Simon Wells) makes the kind of semi-abstracted Techstep Drum & Bass that propelled his breakbeat science in Vortexation and Headstone Lane (denizens of the area may notice a, hmmmm, “streetwise” trend […]
Label: Manifold Format: CD The tentative roughing of the recording – this time out, the sound source is stone. It’s packaged between two sheets of stone. Fucking-a right! Scraping repeats repeats and so forth as other pieces of stone make occasional and spectral appearances. The wow of the feedback moves alongside the scraping repetition spinning in slo-mo dervish joy. These tones fade out and other, subtler tones take their place. […]
Label: Ytterbium Format: CD “What’s that sound?”, from the other room. Brain-wave sounds. Electroencephalograms. “Okay, whatever turns you on…” And so on. I think what he meant to ask was, “What were they thinking when they recorded this?” Which is an incredibly salient point. The sounds come from those brain-waves but what thoughts engendered those waves? So often these recordings by Nakajima-san are tied thematically but what lies behind those themes? […]
Rectangle Bells come ringing and buzzing and oh, that French! It reminds of first listenings to Einstuerzende Neubauten – unsure of what was being said but perhaps something profound…one never knows, so, keep shrugging those shoulders. Irrevocably humourous liner note photographs – salvation in the hovering black angel, the war ends, the fighting ceases and all eyes turn toward Heaven and the ascension. Oh, that scratchin’ is makin’ […]