Upon lifting the lid on this second LP-sized outing for Fire Records from Memorials, it’s impressive to be reminded that it is the work a slender band line-up, consisting of the hyper-dextrous duo of Verity Susman and Matthew Simms.
Stretching the twosome’s multi-instrumentalist and sound design talents to the max – through recording sessions in studio set-ups in rural France and a variety of locales in England — All Clouds Bring Not Rain piles an immensity of layers on and around its kaleidoscopic swirl of songs.
Opener “Life Could Be A Cloud” sets out the overall approach assuredly, shifting back and forth between hazy pastoralism and early Stereolab noise surges, with Susman’s self-tiered vocals riding the undulating waves in unflustered fashion. Thereafter, the hooks and displays of resourcefulness keep on coming, with the vivacity of a group three times the size.
Hence, at the wilder dominant end of the spectrum we’re delivered garage-rock-meets-motorik art-pop manoeuvres (“Cut Glass Hammer” and “Dropped Down The Well”); dub-baked psychedelia (“In The Weeds”, “Bell Miner” and “Holy Invisible”); percussive Pentangle-go-free-jazz shapeshifting (“Mediocre Demon”); and the results of Broadcast records being dropped in a Piper At The Gates Of Dawn blender (“Watching The Moon” and “Lemon Trees”).
In the more serene passages, we’re brought hymnal Vashti Bunyanisms (“Reimagined River”), warm acid-folk waltzing (“I Can’t See A Rainbow”) and an imagined intimate returning Nico guest spot on The Velvet Underground’s eponymous third album (“Wildly Remote”) to counterbalance the freewheeling giddiness elsewhere.
-Adrian-
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