The Royal Albert Hall, London Saturday 26 May 2018 Hi. I’ll be conducting today’s gig review. Yeah. The Radiophonic Workshop were live at the Royal Albert Hall’s Elgar Room last week, and because occasionally somebody buys me tickets to this sort of thing and drags me off with them, I was lucky enough to get to go and see the show. Little did I know that, this time, there […]
live review
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London 24 April 2018 Back in 1982, in one week I went to both Tangerine Dream and the final concert by Japan, all within a couple of days of each other. Fast forward just over thirty-five years, and here I am sat at The Union Chapel about to soak in the atmospheres of the Dream again, this time supported by Japan’s wonderful keyboard player Richard Barbieri.
London 21 April 2018 A rather windswept Mark Pilkington (head honcho of Strange Attractor and one half of the esoteric surfing Téléplasmiste) is up first, treating us to a rare solo performance under guise of The Asterism. Getting jiggy with the interwebs reveals an asterism to be a pattern of stars or an optical starburst in gemstones, a somewhat apt title for the opalescent parade that follows.
London 7 April 8018 The Netfix TV series Stranger Things has been the go-to visual experience for all things retro 80s in the last couple of years. Set in the town of Hawkins, various supernatural and sci-fi events set off the young protagonists in the search for the truth.
Bristol 1 April 2018 Ireland’s David Colohan (of United Bible Studies / Agitated Radio Pilot) and company start things off with a few vocal improvisations. Tales full of ancient ways, chalk and bones, lost histories and weathered stone, crow-picked carrion and curses to the universal robber-time.
The Handsome Family band play in Clapton, a very recently happening neighbourhood of London. The Round Chapel is such a lovely old venue, and this is not my first time here. In fact, all my times here have always been so emotionally charged. The Handsome Family normally charges me, so let’s see if tradition holds.
Avignon 9 February 2018 As is only to be expected, a screening of selected scenes and scores from Studio Ghibli‘s extensive catalogue of films turns out to have attracted a suitably cosmopolitan audience of all ages and subcultural inclinations to this latest ciné-concert at the hiply bohemian Pandora Cinema.
Swindon 22 February 2018 The good people at the latest of Swindon’s venues, The Tuppenny, have been brave enough to unleash the might of two of the town’s finest sons on an unsuspecting public. First up is the extremely affable Tom, who when donning his magic wolf’s hat becomes sonic terrorist Grasslands, defender of the faith of the open veldt and ex-employee of the month at Safeway in Aberystwyth.
Bristol 12 February 2018 Divorcing us from context, Carter was like a travelling salesman peddling dismembered arithmetics, a volatile dance of irregularity from the inside of a wooden suitcase. That awkward caress of pipping bubble wrap and shuffling sandpaper was an intriguing proposition, a parade of mutated modulars bathed in palpitating reverses, guillotined gallop.
Bristol 23 January 2018 Loved Microdeform‘s haunted weathers. A lovely bubbling piano lighting the shadowy architectures, a trembling edifice beaming in the cross-pollination of plunging crevices and sonic apparition. Morphic memories lingering in them stretching keylines
Bristol 10 December 2017 I wake to blizzard conditions, and a transport system buckling under a four-inch surprise of snow and ice. The UK has the worst coping strategies when it comes to sudden changes in weather, it really does; so I decide against my usual journey down the M4 for a cramped train journey
London 30 November 2017 By the time I get to Heaven, Aluk Todolo are already on stage, kicking out a fine racket. I have no idea what to expect from them, but as I enter the venue I’m thinking “Neurosis”. And for the next few minutes, yes, they do sound a bit like Neurosis.
London 21 November 2017 Over the last couple of years, Blues Pills have toured tirelessly and worked hard to become a big crowd-pulling concert act filling out large venues across Europe. So it was a bit of a surprise when they announced a rather intimate show at the small Jazz Café in London, but no surprise when the show sold out.
Bristol 1 December 2017 Tucked in to the stage edges, Modulus III were a threesome of dual synthesizer drums and the rub of a cello, they cruised through some lovely motorik hypnotics. Musically siphoning their inspiration from a multitude of ports, but safely jutting out of entrapment, they notched up plenty of fireworks.
London 23 November 2017 “Dunkel. Dunkel ist die Nacht“.i It is most certainly dark tonight, the evenings now well and truly drawn. The winter solstice approaches. And, as is customary for such astronomical phenomena, we are gathering together tonight to celebrate by watching the rise of the strange, intense sun that is Laibach.
Bristol 23 November 2017 Drastically redefining notions of jazz, Bristol-based Calcine Quartet were a textural pleasure. Dominic Lash‘s double bass shovelling, Matthew Grigg‘s crumbled fret skutters sending the speakers into spasms. A gravelly diesel chug, breaking ranks in a ping of overspilling metal melded to the rusty hinged squeal from Rebecca Sneddon‘s sax.
Bristol 30 October 2017 Motion in Bristol was home to two giants of the alternative music scene on the day before Halloween this year. The weather was clement, the venue opened on time and the mighty Godspeed You! Black Emperor had brought along friends and fellow sonic travellers Bardo Pond, so we knew we were in for a full on evening’s treat.
London 21 October 2017 On 21 October 2017, I was lucky enough to go see Frank Iero And The Patience at Omeara in south London. I did not arrive in time for the opening band, Paceshifters, unfortunately, but I did make it for the second half of the The Homeless Gospel Choir.