Crammed Discs Crammed‘s reissue programme for their Made To Measure series continues unabated with the extraordinary collaboration between Iranian vocalist Sussan Deyhim and New York sound artist Richard Horowitz. Originally released in 1986, this album merged Sussan’s ululating vocal explorations with Richard’s fearless electronic textures and took the listener on a journey that somehow combined the chilled sand-blown wonder of the Sistan Desert with the gritty of New […]
Mr Olivetti
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Discus Discus regular Nick Robinson has been experimenting with guitar looping for over twenty years and his experimental trio Das Rad finds opportunities to interweave them with Martin Archer and Steve Dinsdale. Here though on a rare solo outing, it is all about the guitar in all its incredibly varied manifestations.
Happy Robots Having been fortunate to catch Rodney Cromwell, the nom de plume of regular Happy Robots recording artiste Adam Cresswell, supporting Pram some years ago, I was looking forward to hearing his latest release and was not disappointed. This is his second album and continues his crusade, using ’80s synth sounds to reproduce his own soft, dreamlike world.
Constellation The cover image of the debut album by Montréal producer Kee Avil is certainly a disconcerting one. She sits at a desk in a sterile room with a paper mask of her own face over her actual face. It gives the sense of a twist of reality which runs through the ten tracks on Crease, merging abstract experimentation with sinuous rhythm and her own insinuating vocals.
Redenetic Daryl Robinson’s Mōshonsensu creation is all about the construction of elaborate soundworlds that whisk the listener away from the everyday and place them amid unknown machinery and mysterious animals, strange sounds emanating from abandoned structures, sand-borne decay and the solitude of the vast prairie.
Discus This current project of the classically trained duo of pianist and poet Robert Mitchell and cellist Shirley Smart came about after conversations back in 2014. Their desire to merge the structure of classical with the freedom of improv led to this collaboration, in which Robert also wished to address his family’s history and their relationship to the Windrush scandal in a way that is accessible yet emotive.
Discus Martin Archer from Discus mentions that there are very few solo bass albums being released these days; but thankfully Michael Bardon, erstwhile member of Shatner’s Bassoon, has chosen to correct that. Over ten wildly varied pieces on The Gift Of Silence, he pushes both the bass and cello and our understanding of what sounds can be wrenched from them to their limits.
Jazzland Since starting Jazzland twenty-five years ago, Bugge Wesseltoft has dipped in and out of collaborations and various artist projects with regularity, finding different modes of expression depending on the players involved. Here, shorn of any outside involvement apart from assistance from Håkon Kornstad on a couple of pieces, we find Bugge at the piano allowing his mind to wander, seeing where this freedom and time to ponder […]
Basin Rock The first solo album from erstwhile Phantom Band guitarist Duncan Marquiss treads a lovely line between the craggy, lonesome vistas of the highlands and the sweeping, metronomic pulse of middle Europe. Spread over seven long tracks, Wires Turned Sideways In Time moves between spare fingerpicked acoustic melancholy and heartbeat-riven synthscapes, managing to tie the two together in a warm bed of panoramic mystery.
Discus The latest release from pastoral improv troupe Orfeo 5 is tinged with a certain melancholy due to the passing of vocalist Ali Rigg. Main man Keith Jafrate, having chosen to review some pieces with which Ali had been involved back in 2007/2008, contacted Shaun Blezard and the sad circumstances came to light. These five older pieces were to be part of the collection of current work and […]
Rednetic This latest release by FMS-80 on the ever-intriguing Rednetic label spins through series of dizzying, pastoral soundscapes bobbing on a sea of loops that scatter like sunlight on turbulent waves. A riot of bells on opener “Beidaihe Loop” holds incredible vibrancy, the mantra-like simplicity of the rippling loops moving through “Esplanade View” like a static vista of a fresh day, that panorama across a sunlit harbour in […]
Shaytoon Following on from last year’s Maramar cassette, Aria Rostami returns with a further exploration of devious beat-driven electronica. This time around, Bolbol is a seven-track EP featuring mixes of the title track from Sote and Sepehr which ally curls of electronica and mysterious keyboard refrains with the kind of beats that sit as well on the dancefloor as on the sofa, and while the misty voices of […]
Trace It is always a pleasure to learn of new Rothko material and this return is even more welcome considering it has been over two years since the Refuge For Abandoned Souls album. This first post-lockdown release thankfully contains none of the confusion and despair that has dogged some performers in this liminal period and it feels, as ever, as if Mark Beazley is operating outside the usual […]
Upset The Rhythm Japan’s Nicfit have been together since 2009, but this is their first full-length release besides a cassette comp of obscure singles. Upset The Rhythm have picked it up and it suits their oeuvre well with its cool, distant female vocals, post-punk, bass-heavy vibe and scrawling hypnotic guitar work. Whether they have taken their name from The Untouchables‘ one-minute punk flamethrower or from the better-known Sonic […]
Spoonhunt Freewheeling improviser and collaborative double bass player Dominic Lash has an incredibly varied approach, not just to his instrument but to the way he structures the numerous outfits in which he plays. Recent releases on his own Spoonhunt label give a little indication as to his multifarious activities, and clearly to the warmth and keenness he engenders in his fellow players.
Discus This is only James Mainwaring‘s second album under his own name which, considering the number of collaborations he has been part of, is kind of a surprise. To realise this suite of pieces that look with a despairing eye to humanity’s misuse of the planet as well as the myriad of microscopic miracles that are constantly occurring beneath our feet, he has assembled a sympathetic sextet that […]
Thrill Jockey Unfamiliar Minds is Elena Setién‘s second album for Thrill Jockey and comes on the heels of a previous collaboration with Xabier Erkizia, which came out on Forbidden Colours. Xabier is also integral to this album, but it is Elena’s dreamlike and gossamer visions upon which the we are whisked away to the enchanted realm of her imagination.
(self-released) The buzzing Bristol duo of vibraphonist Harriet Riley and fiddler supreme Alex Garden tumble their inspired collaboration into its second Sonder volume, taking bassist Stevie Toddler along for the journey and pushing one another a little further into where their two musical palettes collide. The previous album‘s sunny disposition has been replaced by some tones of a darker hue, and the pace is lessened at times to allow […]