Everlasting Desert rockabilly trio Guadalupe Plata have been ploughing their Spanish language furrow since 2010 and with this, their fifth full-length record (four of them self-titled), the band find themselves leaping straight into the fray with a salute to the famed Chilean songwriter and activist Violeta Parra.
reviews
Bureau B They may have slipped out of the Neue Deutsche Welle limelight sometime ago, but this surprise newbie from Der Plan hits back with that familiar quirkiness that gave us “Du Bist Es Nicht”, “Gummitwist” and the sublime “Space Bob”.
Bureau B Once again, Bureau B are doing us proud with a couple of releases that showcase a couple of earlier generations of German electronic music, and also go some way to showing just how important and diverse the label has become.
Dais / Sacred Bones Allegory And Self Ahhh, “Godstar” was a surprise back in the day, a light and airy departure from the Crowley curves and noisy exorcisms that had nailed the first two Psychic TV albums. Further Throbbing Gristle fan head-scratching ensued, more so when it hauled the operation completely overground
Trinity Community Arts, Bristol 8 July 2017 On a roasting Saturday, a beautiful day in July, the wonderful Trinity Arts community centre hosted the juggernaut that was the fourth Bristol Psych Fest. Squeezing two dozen bands into one day on two stages was quite a feat to attempt, but seemed to go incredibly smoothly.
Aphelion Editions Straight from the cultural antenna of Aphelion Editions comes this intimate sonic experience, tonally chased in whirlpooling vibrato.
Metropolis Ah, The Brown Acid Caveat. We’ve all heard of it, though not necessarily by name. Delivered over the PA at Woodstock, it was an exhortation to avoid a particular type of tab that was doing the rounds. Probably well-meaning, it almost certainly led to a huge amount of freakouts among people who up until then had been tripping away merrily on that self-same acid.
Music Information Centre Lithuania This has the descriptive title of Anthology of Lithuanian Art Music in the 21st Century, which could mean a few things, but what we actually have is a load of contemporary compositions from Lithuania.
Zoharum Recorded in the vast space of the CK Agora theatre in Wroclaw, Something Between is an album that reflects the size and shape of the venue in which it was performed through its reverberant feeling of volume and density.
Svart At the intersection of Stephen O’Malley‘s mammoth-sized drones, Oren Ambarchi‘s avant electronica and Attila Csihar‘s throaty imprecations lies Gravetemple; a ponderous yet often surprising three-headed beast that wallows and grinds its way from the depths further downward, if that were possible, into the cthonic shallows that lie beyond human understanding or desire.
Tapete I remember listening to The Telescopes at the back end of the ’80s, but was never as convinced of their power as that of the likes of Loop and My Bloody Valentine. I am sure Stephen Lawrie is sick of hearing the comparisons and after a long time, it was interesting to dip my toe back into their murky waters.
Rocket Sometimes, a little gentle trepanation is what’s needed to broaden the psychic horizons; at others, it’s less optimal than a plain old hole in the head. Temple ov BBV is seemingly all about the downsides; it’s not a happy album by any means, but it might cheer those prone to schadenfreude up
Southern Lord That rock-hopping, prog-psych behemoth that is Circle have been comfortably straddling every rock-related genre that you can imagine for the best part of twenty-five years now and have been haemorrhaging albums at the rate and quality that would have most bands green with envy
Marionette With a title that refers to a book about near-death experiences, suitably enough, Burnt Friedman‘s first release for Marionette draws upon his archive of recordings to construct a new EP of circling, abstract rhythms topped off with ghostly musical remnants.
London 22 June 2017 Hindsight can be a famously cruel opponent. On the freezing New Year’s Eve of 1961, The Beatles drove all the way down to London from their native Liverpool amidst swirling snowstorms and treacherous roads. The following day, whilst the nation sipped delicately at some Alka-Seltzer and nursed its collective sore head, The Fab Four fired up their Vox amplifiers
Sulatron Beautiful artwork by Komet Lulu is wrapped around this new release by Sula Bassana, which already tempts the listener to give it a spin. This is Sula’s first soundtrack album and is for Michael Yates’s new movie The Ape Regards His Tail.
Northern Spy Seeing Larkin Grimm at the (now demolished) Seymour’s Family Club in Bristol back in 2006(?) was a real pleasure, that incredible voice of hers just held its own, her musicianship spurring and stirring her wordy glow-forms.
Consouling Sounds This is a first for me, listening to Nadja. For some reason they didn’t cross my radar, but on the strength of this re-release, I have seriously been missing out. Consouling Sounds have chosen to celebrate the ten-year anniversary of the Alien8 release of this album by reissuing it with an extra disc containing an unreleased live studio version of the album and it is a […]