The Gatherer Consouling Sounds A-Sun Amissa‘s The Gatherer weaves a rich cadaver of intrigue. A sombre dream horned by a raspy clarinet yarn and a trickle of hypothermic piano. A poetically pinned bleed with a lysergic slur of percussion and convulsive coils of sax, burning bright in sulphurous melodics to be cut back to a gorgeous microcosm.
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London 14 June 2017 ‘Are you going to see Kings X?’, the guy in the pub says to me. ‘No, I’m going to see a band called Blood Ceremony at The Garage’, I reply. ‘They sound a bit weird to me, mate’; and with that he shuffles off, pint in hand.
Zoharum Emil Mat’ko‘s tenth year of recording as Strom Noir is marked by the collection from Zoharum, bringing to light old and new material alike.
Zoharum Hallucinatory and suffused with a sense of being largely abstracted from place and time as it is generally understood to exist, Rapoon‘s My Life as A Ghost seethes with fluctuations in the space-time continuum. Drenched in reverberant FX, the album is in part a product of its era
Bureau B Magnetband: Experimenteller Elektronik-Underground DDR 1984-1989 Like Play Loud!‘s excellent Ende Vom Lied, this collection from those bastions of Germanic goodness Bureau B gives you another whistle-stop tour of the DDR’s vibrant underground tape culture. Magnetband is a fourteen-track compilation from the mid- to late Eighties salvaged from a load of brave documenters
Blue Tapes and X-Ray Records Metal isn’t a particularly progressive genre, in a lot of ways; for all the fluff that people throw at it, musicologically speaking, it’s rarely divested itself of fairly conventional tonalities, regular 4/4s, flattened out timbres and limited melodies. I appreciate that’s kind of “the thing” that makes metal and as someone who doesn’t really like metal it’s unfair for me to tar it […]
Old Captain Originally released in 1988 on cassette (and under the name Vidna Obmana as the project was styled in those days, rather than the later vidnaObmana), The Face That Must Die is very a much a release redolent of its post-industrial musical era, but still holds an effective and occasionally gruesome fascination thirty years later.
Geographic Music It seems that quite often in my reviews I am cheering the welcome return of bands that appear to have gone missing in action and enthusing about those returns, but I am particularly thrilled to be listening to the first Crescent album in ten years.
Pica Disk Originally released on LP in 2003 on the French label Élevage De Poussière, Dietrich was the solo debut of noise rock band Borbetumagus‘s saxophone player Don Dietrich. Here it comes in remastered form on CD
Beggars Arkive Buffalo Tom were part of that wave of post-hardcore guitar bands that came out of Boston in the late Eighties along with the likes of Dinosaur Jr and Lemonheads. They were friendly with J Mascis and he produced their first couple of albums, and that connection dictates a little as to the sound of those two albums.
Play Loud! Floating di Morel‘s Goal Less Play LP is a sparse, spittle-mouthed wonder nuzzling into some glinting sparks of acoustika. Bursts of sonic weirdness lurk between the main feasts – brief sketches that clear the palette for the more song-oriented goods
Bureau B I think the first thing that should be mentioned about this record is the press release. Breaking all form and convention, it’s readable, witty, descriptive and — get this — actually tells you some information about the record.
File 13 I must confess The Poison Arrows are a new one on me, but a great discovery because they ply the kind of slinky bass-heavy American post-hardcore that the likes of Girls vs Boys (GVSB) and The Jesus Lizard put out years ago.
Bristol 26 May 2017 The stage may have dwarfed her stature, but Little Annie‘s cabaret queen antics were larger than life, completely over-spilling the place. Cloaked in Eastern silk, her waist a blaze of African bracelets, Annie’s hoarse vocal was something to be treasured – both warm and vibrant, bursting with wit
Dais “This is what it’s like.” A softly whispered, wraith-like voice appears during one of the tracks and it’s an exemplar: this is one (relatively) short descent into a steaming woodland of madness. There’s great chasms opening up all over the land and we’re listening to ourselves being swallowed.
Paradigm Discs These recordings make up part of the Kymatik archive and were recorded nearly 20 years ago, yet are timeless and unfold at our leisure.
Adaadat White was the pairing of percussionist Shenggy Shen and guitarist and singer Zhang Shouwang, and this, their first album, was originally released in 2007. Now Adadaat have given White its first outing on vinyl, and it not only sounds but looks good ten years later, the striking cover image by Marcin Cybulski adding a Dada feel to the album.
Constellation This is Do Make Say Think‘s seventh album for Constellation since their inception twenty years ago and the first in eight years and it is a glorious, Technicolor addition to their already wonderful pantheon. For me, no other band sounds like DMST