Zoharum (CD)/Sonic Meditations (cassette) From the ominous drones and splutters of “A1V” by way of the decidedly Harmonia-like curlicues of “Crawling Through Crystal Skies” — all twinkly echo trails and meandering electronic rhythms — to the freefall wafts of guitar feedback and multiple effects units orbiting each other in a docking pattern, Solar Drifting does exactly what the album title suggests, conjuring imagery which hovers and glides from […]
album review
Bureau B This is part of a continuing series of works that delve in the Conrad Schnitzler sound archive to generate newly inspired works. As the label stresses, this series isn’t intended to be homage or to be taken as a plain remix project, but more as an active experiment in creativity itself. Con-struct starts sedately enough in a drift of aerosol(ed) bleeds over a plasticity of hiccups […]
Ankst Yn ddiwedd mis Ebrill eleni, teithwyd drosodd i Gaerdydd (sydd yn hyfryd, o ddifrif) i wylio gŵyl CAM. Mewn gwirionedd, es i, i wylio Datblygu a digwydd fod yne bandiau eraill yn chwarae (parch i Ian Watson ai electro-acwstig clecian ac electro-pop Y Pencadlys, a byddai’r ddau ohonynt wedi gwneud y daith yn gwerth chweil os nid bod Datblygu ar y bil). Dwi wedi bod yn ymwybodol […]
Clouds Hill Nisennenmondai are a group whose stage performances are inevitably exercises in hypnotic repetition and mesmerising fascination, so it’s interesting to see just how well it translates to the live album format. As indicated by the title, the disc was recorded as part of the label’s series of such events in front of an audience at Clouds Hill‘s Hamburg studio (the set length limited by the available […]
DDS While probably best known for making the earth tremble beneath heavyweight drones from the likes of SunnO))), KTL and Gravetemple while also rocking hard in both Thorr’s Hammer and Goatsnake, Stephen O’Malley is also the guiding hand behind the Ideologic Organ imprint of Editions Mego, releasing a treasure trove of avantgarde, experimental and electronic music both old and new. So it was with these latter activities in […]
Domino (Europe) / Drag City (Americas) There was I thinking Dave Pearce (Flying Saucer Attack‘s main auteur) had retired from the music business entirely, living in some quiet corner of the countryside, content to be the only audience for his personal musings. Then out of the blue comes a whole album of instrumental fayre, a stark reminder of what makes FSA’s music so intriguing, essential even. Fifteen (title-less) […]
4AD 4AD have always had a good ear for the creation of compilations — The Birthday Party’s Hits was total cherry-picked greatness for one, then there’s Lonely is an Eyesore, The 13 Year Itch; the list stretches into the horizon. Now this Cocteau Twins ‘best of’ (originally marketed to strike the American market back in the mid-Eighties and now lushly re-mastered for 2015) is further evidence of this. […]
Dirter Andrew Liles, the second Duke of Burgundy, third in line to the old French throne and now a broken-hearted (re)publican millionaire (his fortune in bacterial warfare, a subsidiary of Pershing), scores when he wants. He spends his time at his Bavarian recording castle, chasing peasants, scaring locals and recording recording recording. There’s Liles smears everywhere, even if you think you don’t own one of his records you’d […]
Hubro Heavy skies that turn from the beautiful to the devastating; Ask is the immersive solo début of young Norwegian trumpet player Hilde Marie Holsen. It’s a good five minutes until the first recognisable trumpet sounds arrive, such priority is given to the distinctive voice swirling around inside the electronics. Even though combining solo trumpet with the latest software is not new to me, that she uses to […]
United Dirter Seriously plunderphonic, this baby plays Surrealist ping-pong with ’50s advertising, sped-up exotica, Brat Pack crooners and virtually anything else that fevered mind of Steven Stapleton could chuck in there (it’s little wonder this was three years in the making). I can imagine Stapleton dressed in his crow-black finery rooting through the charity bins, this perverted twinkle in his eye as his mischievous mind affixes to new […]
Sulatron Kick out the jams and get your freak flag flying with two new releases from Sulatron. Zone Six are a mindbending mixture of members of Electric Moon, Modulfix and The Pancakes (who also get together under the name Krautzone) playing spiralling hypnotic psychedelic madness in free-form jams that have been condensed down to these four blistering tracks. Komet Lulu’s bass kicks us into the title track, its […]
4AD Nobody ever sounded like the Cocteau Twins, a band so startlingly original that they spurred a lot of imitators; they took the jangle of indie to a whole different level, an otherworldly soak that no doubt inspiring the shoegrazery verve that would follow in their wake. By 1985 they already had three albums under their belts, but their sound was still evolving to ever-more luscious territories, concocting […]
Rocket Sprawling its way across three sides of vinyl and two CDs, Infinity Machines is Gnod at their most epic. There’s a lot of it and can feel initially daunting to step into it as you realise the weight of expectation, and the fact that your brain has to disseminate so much music, creep up on you. So I’m going try my best at reviewing such a large […]
RVNG Intl. The slow evolutions of Robert Aiki Aubrey Lowe (AKA Lichens) and Ariel Kalma are curling my head to perfection, all long sustains and modular gurgles mingling gently with the environmental ambience of aviary tweets, bubbling brooks the call of the wild. The saxophonics climbing through most tracks like a waking body stretching in span-like evocations, coupled with the blissful smoothness of simple melodies that would make […]
Cardinal Fuzz (Europe)/Captcha (North America) White Manna’s previous album Come Down Safari was an almost lilting psychedelic trip to the outer reaches, like a 1968 Nepalese bhang shop of lysergic loveliness that wasn’t a million miles a way from bands like Lamp Of The Universe in its recreation of bedroom Ganges travelling. What White Manna have delivered with Pan, though, is a totally different beast. If Come Down […]
Rural Isolation Project What’s often advertised as noise-rock tends to be just noisy rock. It’s usually very straight forward and just a noisy use of instruments. Lovely as this can be, I find it refreshing when Austin noise-punks Quttinirpaaq‘s third Rural Isolation Project LP is said to be “bleeding-noise industrial electronic rock”. This is the solo project of Matt Turner, who also joins forces with King Coffey from […]
Software Recorded over the space of ten years up until the early part of the current century, The Baltika Years gathers together a selection of recordings that Ben Zimmerman made almost entirely from samples he manipulated using software running on the now long-defunct Tandy DeskMate computer operating system. Working around and within the limitations of the music software available on DeskMate (such as 22 kHz 8-bit audio), Zimmerman recorded […]
Bureau B Dub is the very beating heart of music made with electric bass and drums, the low end and rhythm pared back to bare essentials as the bedrock of form, then modified with various levels of drenching in echo and other effects. It’s no wonder that a technique developed most prominently in Jamaica in the 1970s went on to enhance and then pretty much take over huge […]