It's kind of psychedelic music, if that wasn't principally rubbish. The reference for me is something like Les Rallizes Dénudés, thought that is also off. What LRD do is to take a basic doo-wop poppy structure in the rhythm section and have a guitar go waaaay into the red. Fushitsusha use that as a kind of springboard, and take out the predictable rhythm section. Where most rock music -- most music -- deals in clearly repetitious elements, pulses and such, Fushitsusha take whatever is repetitious and hide it.
Agata Urbaniak
13 posts
...in summary: banging festival. I don't want to miss out on the important social stuff -- it was really heartening to see so many people as much interested in chatting to distant (and often online) pals as they were watching music. Largely the acts were new names on me (no surprise -- I don't follow this scene much) and all of them deserving of the larger stage.
...it's certainly singular and perhaps dry, but it's equally a showing of some breathtaking capacity for keeping the listener on their toes. He closes with some leaping and clattering that belie his seventy-three years -- Keiji Haino's not ready to stop hitting shit really fucking hard and long may he continue.
Recent material lists towards the two-minute assault and it's all fun. It occurred to me that given the tempos and the fact that it's sequenced drums, Melt-Banana may well be the world's most successful speedcore band on a technical level. It's got a lot of similarities with punk and hardcore, but it has an intensity that's uncommon to guitar music, for my money. So let's say they're a speedcore band.
Brighton 28 April 2022 It’s difficult not to use words like “hushed reverence” for a band like Low, and you wonder if someone isn’t very much testing that by hosting them in a lovely church. I’m not sure if we’re “post-“Covid, but certainly being out and about, at a gig with lights and everything, is unnerving. I’m pretty sure everyone’s forgotten how to act in public and the […]
Hastings, for those not hip to the south-east coast of England, is a funny old place. In some senses it’s got that run-down seaside town vibe. On the other some banging folk and a small but keen crowd of local weirdos turning out on a Tuesday night for an evening of rackets
Brighton 2 June 2019 The Albert‘s one of those venues that feels really empty up to a certain point, when it suddenly becomes a sweatbox. Luckily, Frank And Beans are only playing to gaps where people should be for a song or two. Fall fans (and by God did the crowd look like Fall fans) obviously need to get their time in at the bar to whinge about […]
Brighton 2 November 2018 A story of intrigue, a tale of great mystery. A band of psychedelic travellers. A man so consumed by unctuous emissions that it was described as cagoule-like.
“” — Lisa Jayne Following the release of their latest Void Axis CD via Fourth Dimension and Foolproof Projects, Lisa Jayne and Andy Pyne sat down to discuss the album, their music, art, methods, origins and sources of inspiration with Kev Nickells. The interview is presented as two audio recordings
London, 12 April 2016 Brighton, 13 April 2016 I went to two gigs in two days for Freq. They were unrelated, possibly, but worth pointing out that gigs are experiential things — it’s often more about the being there than what was played and such. That or I’m too lazy to write two separate reviews, so collapsing them into one with some spiel about commonalities is a rhetorical […]
Ankst Yn ddiwedd mis Ebrill eleni, teithwyd drosodd i Gaerdydd (sydd yn hyfryd, o ddifrif) i wylio gŵyl CAM. Mewn gwirionedd, es i, i wylio Datblygu a digwydd fod yne bandiau eraill yn chwarae (parch i Ian Watson ai electro-acwstig clecian ac electro-pop Y Pencadlys, a byddai’r ddau ohonynt wedi gwneud y daith yn gwerth chweil os nid bod Datblygu ar y bil). Dwi wedi bod yn ymwybodol […]
Brighton 10 December 2014 Gig-craft. It’s a tricky thing. Something that’s a perennial irritation for me is the way you’ll get a touring band and three-five clones of that band. I always have this problem with things like grindcore gigs where you just get five of the same band. Which is great, for about two acts, then I get bored. SO one of the things about this gig […]
Brighton 11 November 2014 In one swift motion I will disperse any notions of latent ’90s cool – I’d never knowingly listened to Trans Am before. I didn’t even know if it’s Tram Am or Trans AM, an automobile or a radio station. Entering the venue I was immediately struck by the very particular nature of the audience – not a one under 30, few over 40 — […]