It's kind of psychedelic music, if that wasn't principally rubbish. The reference for me is something like Les Rallizes Dénudés, thought that is also off. What LRD do is to take a basic doo-wop poppy structure in the rhythm section and have a guitar go waaaay into the red. Fushitsusha use that as a kind of springboard, and take out the predictable rhythm section. Where most rock music -- most music -- deals in clearly repetitious elements, pulses and such, Fushitsusha take whatever is repetitious and hide it.
Fushitsusha
2 posts
London. 5 October 2012 Keiji Haino’s trademark wall-of-guitar noise, with its many layers and overtones, often puts me in mind of church organ music at its loudest and most resonant. so this mightily atmospheric and imposing place of worship felt like an oddly appropriate setting for his fabled power trio Fushitsusha’s headline slot at this triple bill. First up were Temperatures, a bass/drums duo who took your jaded […]