The month that his new LP Infinite Sprawling is released on Upset The Rhythm, Robert Sotelo is interviewed by Andrew Doig on life, the creative process and new release anxiety.
interviews
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Preceded by the “Chateau” single earlier this month, unconventional musical subversives R.O.C return with their first album in twelve years, Bile And Celestial Beauty, appearing on rocmusic on 29 March. Oleg Rooz has created seven short films to go with the album, and his video for the track “Divorce”, which is released this Friday (15 March) and receives its exclusive premiere below, accompanies an interview with Mr Olivetti.
Richard Knox established Gizeh Records in Leeds at the dawn of the new century, and the label has grown organically from strength to strength since then, building a reputation for bringing adventurously expansive music to the world. Mr Olivetti spoke to him about the origins of the label, the art of collaboration, and how he keeps Gizeh and his musical project A-Sun Amissa going in uncertain times. What came first, […]
“” — Lisa Jayne Following the release of their latest Void Axis CD via Fourth Dimension and Foolproof Projects, Lisa Jayne and Andy Pyne sat down to discuss the album, their music, art, methods, origins and sources of inspiration with Kev Nickells. The interview is presented as two audio recordings
A quick catch-up with Robert Sotelo Dan Bolger of The Pheremoans and The Bomber Jackets talks to Robert Sotelo about his new cassette and digital release, Botanical. I first met Andrew Robert Doig (AKA Robert Sotelo) in 2004, when we moved in to the same flat in Dalston. He was in what seemed then to be about a thousand bands, playing guitar mostly, facing an amp. He was hardly the […]
Ahead of this year’s Fort Process festival, headliner Rhys Chatham kindly lent his words to some questions posed by Kev Nickells. For this edition of the festival, he’ll be bringing a performance of his solo work Pythagorean Dream. Kev Nickells: So the first thing I’d like to pick up on is a point from the last interview I did with you — there was a bit where a distinction […]
Tom Bench interviews composer and film-maker Phill Niblock as he embarks on a series of concerts around Europe.
London 23 March 2018 “Andrew O’Neill was living at my house, and he was doing a show about British industry in the nineteenth century and he said ‘why don’t we write some songs and we can do them as a support act for the show?’”
Mr Olivetti spoke to Saverio Tesolato about the newest manifestation of his Autunna Et Sa Rose project, whose recent Entrelacs Du Rêve album draws on dreams to inspire a form of majestic musical poetry.
Ahead of the launch of Robert Sotelo‘s début album, Cusp, Iotar interviewed Sotelo while he was in Buenos Aires from his new abode in Graz, Austria. They talked about the drift away from a London-centred culture, the glorious meaninglessness of great pop and much more that is pertinent.
Fresh from the release of their recent triple album Infinity Machines, psychedelic space cadets Gnod have stripped down to a guitar-heavy four piece on the road. Michael Rodham-Heaps questions Gnod Gnetwerker Paddy via email about this most freaked-out of bands.
The Third Golden Age of Welsh Pop™ shows little sign of abating any time soon. Following his contributions to Cate le Bon‘s two extraordinary Cyrk releases and Euros Childs‘ sunshine classic Summer Special last year, Stephen Black now unleashes his own long awaited fourth album as Sweet Baboo. Originally from Trefriw in north Wales’ Conwy valley, SB has long been an integral part of the Cardiff musical community […]
Kev Nickells interviews Bristol* noise merchants Thought Forms about their new album Ghost Mountain, among other things: *Or are they…? Listen in to find out.
OK, so I’m interviewing Justin Sullivan of New Model Army and I’m shitting myself; one of the finest living British songwriters, veteran of a 30-plus-years of playing kick-ass protest rock’n’roll, a man who’s played more good gigs than I’ve had bad ideas… no, this won’t be awkward at all. But I’d be a dumbass to pass up the opportunity – and I’ve seen interviews where he’s been very […]
Freq talks to Simeon Coxe of Silver Apples Eastern Bloc Records, Manchester, 1988. Quietly, amidst the bursting green shoots of the newly emergent dance music culture, Suicide have just released the magnificent A Way of Life, their first new album in eight years. It may as well have been 80 years, so long ago does 1980 now seem. A callow 20-year old, I am queuing in Eastern Bloc […]
Alan Holmes speaks to Laetitia Sadier about her second solo album. One of the most played records at our house so far this year has been Silencio, the second solo release by former Stereolab front woman [post=laetitia-sadier-silencio text=”Laetitia Sadier”]. It’s a record that releases its charms slowly, each listening revealing new and wondrous depths. This subtlety is counterbalanced by the direct political nature of the lyrics, harking back […]
Freq talks to Steve Ignorant of CRASS To a young mind searching for meaningful music in the early 1980s, encountering CRASS for the first time was a frightening proposition. In those hazy, far-off days, when the Californian IT development nerds responsible for YouTube and Google had barely finished breastfeeding and the ZX Spectrum was the hot shit in cutting edge computer technology, one really couldn’t be entirely sure […]
Mark Sanders has been a professional drummer for almost thirty years. His diversity is unmatched, running the gamut between jazz, free improvisation, pop, avant-rock, modern classical, dance, new complexity, dub and folk. He’s one of the few free improvisers who integrates the learning that he accumulates from these broad activities: most improvising musicians’ approach rarely synthesises or overlaps their sets of experience from other styles. You would be hard pressed to find musicians currently working within free improvisation who he hasn’t worked with.