Liv Andrea Hauge

This curious mix of circumstances gives the album a sense of sense of statelessness; a sense that things could go in any direction, Liv's playful and ever-elegant piano either shadowed or mobbed by the scattered percussion of August Glännestrand and the warm languid bass of Georgia Wartel Collins.

Although a year in the making, only three days were spent in the studio recording Ville Blomster. That spontaneity, as well as Liv's manner of writing in her apartment with the windows open, allowing life to suffuse the compositions, comes through in the end result.